• "By the Way, I Forgive You" is the album many of Carlile’s fans and critics — as well as Carlile, herself — have been waiting for her to make, as it captures both the expansive power and vulnerable intimacy that make her live shows so indelible and affecting.

  • Every now and then, a voice comes along that is so thoroughly in tune with the times that it can't -- and shouldn't -- be ignored. This year, that voice belongs to Rhiannon Giddens.

  • On what is, perhaps, her finest release of the past 15 years, Aimee Mann wanders in and out of stories that revolve around the hub of dysfunction that is the experience of being human.

  • It wasn't the first time I heard k.d. lang's voice that carved out a forever place for her in my heart. It was the first time I saw a photo of her for, in it, I saw a reflection of who I was or, more likely, who I wanted to be.

  • It's hard to describe Amanda Shires, as a person or an artist. There's just something about her that floats above and beyond categorization and calculation. Perhaps it's the poet in her that tilts and colors her worldview.

  • Kenny Rogers has sold more than 120 million albums worldwide, and made in onto the charts every decade for the last seven. He's had 24 number one hits, 12 number one albums, and racked up more accolades, awards, and accomplishments than he can keep track of.

  • Mavis Staples' need to do what she does seems unattached to anything other than the pure pleasure and emotional expression of the music itself. If she weren't “Mavis Staples, the much-lauded gospel singer,” no doubt she'd still be “Mavis, that lady with the amazing voice in the church choir.”

  • Mere mention of Steve Martin's name instantly evokes a multitude of references to his iconic comedic work over the past five decades. But there's so much more to the man than just a wild and crazy guy.

  • Singer/songwriter Jason Isbell grew up in Greenhill, Alabama, with a head full of poetry and a heart full of soul. He's come a long way since then ... without going all that far.

  • For over 30 years now, the Indigo Girls have continually pushed their music forward, switching up styles and sounds as their muses demand -- because, despite their activist and acoustic leanings, they've never been mere folk singers.

  • Chris Stapleton's soulfully rocking take on country music sidles up alongside Tim McGraw as naturally as it does Sturgill Simpson and Willie Nelson, carving out a middle ground that may well suit the mainstreamers, the upstarts, and the outlaws, alike.

  • From the opening strains of the title track through all the howls and hollers that follow, Alabama Shakes' new album is a huge step forward, artistically… though not a surprising one to anybody who knows their work and certainly not to the band.

  • Ben Gibbard has long been considered one of the most literate and compelling voices on the rock scene, indie or otherwise, and on his eighth Death Cab for Cutie album, Kintsugi, he has staged a return to form that even he acknowledges.

Ben Glover: Shorebound

Posted on Apr 14, 2018 in Bios
Ben Glover: Shorebound

The opening strains of Ben Glover’s Shorebound are unlike any others in his discography. With a steady acoustic strum keeping the song’s pace, a sly slide guitar lays down a laid-back riff, and “What You Love Will Break Your Heart” casually swaggers on its way. That cut, and all that follow, are more multi-layered, so […]

Gretchen Peters: Dancing with the Beast

Posted on Apr 2, 2018 in Bios
Gretchen Peters: Dancing with the Beast

There’s a bittersweet beauty to the passing of time — the changes it brings are just as often heartbreaking as they are heartwarming. The inevitable tension that arises from that sway is Gretchen Peters’ most trusted muse. “The years go by like days. Sometimes the days go by like years. And I don’t know which […]

Will Dailey: Golden Walker

Posted on Mar 14, 2018 in Bios
Will Dailey: Golden Walker

Songwriters, by their very nature, move through life not only from the inside out, but also from the outside in. They look and listen at the worlds within and around them, pulling it all in and pouring it all out in melody. The barriers between personal and political, fact and fiction, us and them do […]