One of the best things about modern roots music is its conflation and innovation, of traditions and of visions. And many of the artists making the greatest strides in that regard are Black artists, including Alabama Shakes, Rhiannon Giddens, Son Little, and Valerie June. Each brings an inimitable style and an indelible spirit to their work, offering listeners a ticket to ride along on their artistic adventure. That’s surely what June has done with her utterly captivating new release, The Order of Time.
As the title suggests, there’s a somewhat structured disposition to the set that comes courtesy of its blues and folk artistic ancestors. But there’s also something otherworldly about it that is pure June. This study of contrasts is made evident in the push-pull of her phrasing, the lull of her lilt. It’s also there in the way she uses the instruments, her voice included. She alternately bends them to her will and bows herself to theirs. On “If And,” horns and harmonium patiently drone underneath her melodic exploration, while on “Man Done Wrong,” she eagerly follows her banjo’s mystical lead.
From the swagger and sway of “Shake Down” to the lush love of “With You,” The Order of Time proves that Valerie June is in command of her craft in a way very few artists are.